Thursday, April 12, 2012

Jack White Changes the Way Artists Release New Singles... AGAIN



Jack White- the Willy Wonka of the music world. He is a genius in his own right, creating sounds we've never heard, doing it in a way that it has never been done. His factory is Third Man Records, the cornerstone of his underground empire. Nestled between train tracks and a homeless shelter in southeast Nashville, Third Man Records is a small warehouse filled with nooks and crannies with a surprise around every turn, or so the people who are actually allowed past the first room say. Third Man is of course home to the Third Man Record store where every thing Jack White has ever touched is sold. This is including, but not limited to, every album ever made by all of his bands- The White Stripes, The Raconteurs, and The Dead Weather, and all of the albums he has produced, such as Loretta Lynn, and even Conan O'Brien. But, beyond this eclectic record store lay a wonderland of music. Within Third Man there is a sound booth and recording studio, a rehearsal stage, a photo room and darkroom, and of course Jack White's office, which contains a vault of every first pressing of every record White has produced. All of that to say, Third Man is perhaps the most innovative and mysterious Record Label ever. Just When everyone thought they could not get any more innovative, they did.

Enter the flexi disc balloon launch. The event was first posted on Third Man's website with a video of the launch itself. However, the story spread like wildfire to a number of music news websites and blogs. The article on theaudioperv.com is the one referenced here. Jack White and Thirdman have been releasing singles off the upcoming album, "Blunderbuss" in the same old average way. There has been releases on itunes, and Third Man has put out 7" singles for the songs "Love Interruption" and "Sixteen Saltines." Third Man took releasing the next Jack White single to new heights (literally). Three weeks before the release of the album White and his Third Man crew attached 1,000 flexi discs to 1,000 helium filled balloons and launched them from the Third Man headquarters. Statistics show that only about ten percent of the discs will actually be found by a person. Despite this, the 100 flexi discs found will become valuable collector's items over the years.











Pictured left is a flexi disc, literally a 7" flexible vinyl disc, with a postcard attached asking people to return the card with where they found the disc and a picture of themselves with the disc
















Jack White and Third Man Records are changing the way we spread media. This dispersing of flexi discs may not be the most practical way to get a new single out to the public, but it is innovative and ingenious. It instantly makes a cheap flexi disc a valuable collectors item, and it gained a lot of attention from media and fans. What this act shows us is that there is more to media promotion than just a facebook post, or a tweet, or a catchy youtube video. Jack White inspires musicians, and artists to return to the roots of media dispersion. It is like an email versus a message in a bottle. Yes, One is more practical, but the latter is more memorable, and that is the difference.


Watch The Balloon Launch


Read the post direct from Third Man here: http://www.thirdmanrecords.com/news/view/jack-white-flexi-discs-distributed-via-balloon-launch

Read the article from theaudiperv.com here: http://theaudioperv.com/2012/04/02/third-man-records-launch-new-jack-white-flexi-cds-via-1000-balloon-launch/




Monday, April 2, 2012

The Shins Return

The Shins released the first studio album in 5 years, "Port of Morrow," on March 20th to many mixed reviews. Loyal fans were split down the middle; to one side the pleased, to the other the disappointed. Some long time fans were displeased with the unfamiliar line up of musicians on the record, saying that the only person consistent in the Shins is James Mercer. Others argue that James Mercer is The Shins. The reality is that James Mercer started the Shins as his own one man band, the project evolved, and Mercer added members as needed to suit his creative vision. The Shins is Mercer's project, so his creativity reigns, and that is nothing to complain about. Mercer is nothing short of a genius, and his music shows.

There is review after review on websites and music magazines alike, all of them different, but none quite satisfying. None do "Port of Morrow" justice, and none give Mercer the credit he deserves, except for the review on Pitchfork.com. Pitchfork is an esteemed online music magazine, and a picky one at that. There musical tastes are borderline pompous and pretentious, and until they deemed The Shins's "Port of Morrow" best new music, many thought Pitchfork didn't like any of the music they reviewed at all.

Larry Fitzmaurice was spot on in his review of "Port of Morrow." He gave Mercer and his new band members credit where credit was most certainly due. Fitzmaurice points out that The Shins's newest tunes combine all the best elements of every type of Rock music. Happy rock ballads like that of John Mellencamp, mixed with the electronic sprites of today's indie music movement. "Port of Morrow" is a light-rock hybrid, spotted with James Mercer emotional past, sure to make any indie music fan's heart warm.

Fitzmaurice also covers the most debated topic: Is this band even The Shins, or just James Mercer with a back up band. He states simply, "James Mercer is not a member of the Shins, he is the Shins." This is nothing but the truth. The Shins is Mercer's creation, and it is his outlet to let his creativity shine. It is his brainchild to control, to tweak, and to fix.

I have to agree with everything that Fitzmaurice says. "Port of Morrow" is surprisingly unique in its simplicity and freshness. It is not overwhelming or artistically saturated beyond recognition. It is classic James Mercer, and it will be a timeless record to listen to with the windows rolled down on a spring day

READ THE ARTICLE HERE: http://pitchfork.com/reviews/albums/16390-port-of-morrow/